May 9 - Greeting the New Boot Camp Recruits

As I sit and await the arrival of the seven newest Color Boot Camp recruits in gorgeous North Georgia, I'll share with you one of the two six by eight inch canvases I did during the other workshop.

Although there is glare on the upper right, you can see the Color System working in the gentler light of the Florida evening. Note the repetition with variety in the trio of duplicate shapes--clouds, palms and shrubs. One might think that it is a no-no to repeat in twos, but in this case it works, as the dark cloud on the left middle balances the weight of the duos on the right. And each of the dual objects is similar but not equal. Design is such a strong aspect of painting; one I'm always considering!

Georgia is cool and lovely this time of year, and holding a sumptuous spring feel, and no better place to enjoy it than Fay's farm. Her generosity in allowing us to descend upon her for a five days is not to be taken lightly, and I'm honored to be considered her friend. Here's an image of the barn apartment upstairs with the balcony where the workshop will be held, across from the main house.

After this workshop, the only one remaining will be in Maine. I do hope to meet some more East Coast artist friends there! Color Boot Camp is special. Here's Maggie's most recent post.

You can see earlier posts from my blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

May 8 - Back in Georgia, New Boot Camp Coming!

One of the demonstrations I did for the Florida CBCer's was this 6 x 8 oil of evening light, Florida Style. It starts with bland colors and some mid and low values, yet progressed rather quickly to the image you see below. It was quickly purchased by Peggy in the workshop and she says she'll be enjoying it in her studio. I enjoyed the juicy thick paint!

And what fun! The Florida Workshop finished up on Friday evening with Ocala's Art Walk, and afterward I settled in with two good friends, a bottle of wine and lots of good art conversations.

This morning I left and drove up here to North Georgia, where I was again greeted by two good friends, and we settled in for a good dinner and grand conversation before turning in for the night. I love the connections artists have. It is truly special.

One more photo from Florida before close down the computer--this one from the memory of Silver River, and the headwaters flowing around Jackie in her kayak, before we headed back downstream. You can see the sun leaving the tops of the trees here. It was dark before we regained the launch area, yet this was truly a moment in paradise.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

May 7 - Serious second pass on the 12 x 16 oil

I've spent a good amount of time working on this painting to get it to this point (far from finished at this point). Still here in Florida, and today was the last day of the wonderful first-timers Color Boot Camp. Details of the journey as viewed by one of the attendees Maggie can be seen here. (Thanks, galfriend!)

I've been putting details in the grasses of the pastures and talking up composition to the Boot Campers. I will miss their pleasure at learning the beginning steps with the Color System, and hope to see them again in Florida next year as "Repeat Offenders". Tomorrow morning I drive up north to Georgia and return to the Farm for the second week-long Color Boot Camp for newbies. I'm not tired at all!

Lynn Wade came by the Art Walk event in the downtown area, including a visit to Voilart Gallery, and I had a friend take this image of Lynn, Shraron Crute and myself with Sparky. Both Lynn and Sharon are great equine artists and I do hope you made some time to see Lynn's paintings: www.lynnwade.com and Sharon's web site.
Sharon is the co-owner of the gallery with Jackie, who put up with me. Kathie Camara organized the event and for all that, I'm eternally grateful! Thanks so much for a wonderful time!

My hair's gone all curly because of the humidity. I was born with curly hair, yet it went straight when I moved to California years ago. LOVE having it back! Can you say, "POOF?"

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

May 6 - Silver River, Alligators and Evening Light

OK, gang. After the workshop today, I finally got to do something I've wanted to do for ages... kayaking on a river, and wow, did I get my wish! Here I am on the Silver River in Florida outside Ocala, kayaking into the evening and heading for the headwaters of this massive aquifer. Clear, clear water! I'm with Jackie Shindahette, my hostess, on her second kayak, and our intent was to go for a few hours. We left at 4:30, and didn't get back to the launch until 9 p.m., well after dark--not smart, but who knew? The springs that spew out 0ver 550 million gallons of fresh water per day to create this river are three miles upstream, and we thought that would be a nice trip. (Remember, UP stream.) But try three miles of kayak paddling without being in condition to paddle. And we had to paddle back, because we lost the daylight about two miles out from our launch location. Tomorrow I'm going to be seriously immobile, methinks....

Here's one of the alligators who greeted us. When Jackie was distracted, I poked one with my paddle and was rewarded with a spray of "slough" junk, all over me, over the the kayak and Sparky as the 'gator took off, flipping his tail. Sure stunk. He was formidable, but I just had to go "poke". (I've done the same in my past with a skunk. Some people never learn.)
Today I painted two 6 x 8 skies, one sunset and one backlit for the Floridian workshop new recruits. I'll share them with you tomorrow, (if I can lift my arms).

What a great day, which just goes to show you that any life of excitement is just a few short decisions away! Now off to a much-deserved glass of wine and sleep.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

May 5 - Springtime Morning Beginning

Happy Cinco de Mayo! I have had such a wonderful time today watching and teaching the Color Boot Camp students who were painting all day. I've worked on this 12 x 16 morning light landscape in oils and this is the first pass. I started it up in Georgia, and have brought it to a more finished state, which I'll share with you tomorrow.

You can follow one of the attendee's blogs on the workshop here, which will give you one participant's perspective of what goes on--far more than I can share with you in these short notes. I hope you enjoy it!

Tomorrow I'm going kayaking on the Silver River--where the water is so clear that the kayaks seem to float on air. I'm looking forward to it!

Today, though, after class, I drove down to Gypsy Gold and visited my artist friend Lynn Wade, and took this image of Latcho Drom, the top stallion in the country. Even in the rain, he was magnificent! (By the way, Lynn kindly gave me a print from one of her lovely pastels of this horse, a portion of which is the opening image on her web site!)

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

May 4 - Misty Light Demonstration in Florida

At the Florida Boot Camp and ending the first day, I thought I would share with you the misty light painting I whipped up for their first demonstration. They are working with the Cool Box, and learning to really MIX color. I "imagineered" this Florida water landscape without seeing any of it. I need to get out more!

The painting still needs tweaking, but the idea of overcast light is conveyed, and their examples were really well done! Today they are working on Morning Light and Moonlight paintings.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

May 3 - Finished the acrylic horse

First day of the Florida Color Boot Camp here in Ocala, and what a great group of artists and students! A wonderful facility and I'm staying with one of the organizers. This evening we spent it with wine glasses in their swimming pool!

This 12 x 12 acrylic has had the final "punch" put in the color to fine tune the relationships in morning light, to bring the viewer into the image, and to tell the story.

My story for this painting is in the people who do the hard work of keeping these equine athletes ready and healthy for performing. The title of this one is "It's not about the horse". I hope you like it.

Here's an image of the facility at VoiART in downtown Ocala. Yes, we have chocolate!!


You can see my entire blog HERE.

My workshop schedule for 2010 is HERE.

Color System information can be found HERE.

If you need to email me directly, please click here.

May 2 - The Acrylic in the Workshop

Here's the next stage of development of the morning light wash up. I'm really enjoying the traditional acrylics again, even though I love the workability of the Golden Opens and of course my oils. I'll be returning to them this week and next, as well.

Those of you familiar with the Color System can see the cools in the distance (over 300' away) and the warms in the sunlit areas of the living things in the painting at this point. What's fun is to put the "sky shine" on the shadowed sides of the figure and horse, as well as in the wet ground. I moved the bucket to the left side for design reasons.

The advanced students in the CBC (Color Boot Camp) received a snootful of design challenges this week past. They not only dealt with the time of day, and the value plan, but also had to consider using elements and principles of design to create dynamic compositions and paths for the viewer's eye to follow. Lots of complaining, but the end results were awesome. And everyone did two or more compete paintings each day.
Check these out!

You can see my entire blog HERE.

My workshop schedule for 2010 is HERE.

Color System information can be found HERE.

If you need to email me directly, please click here.

May 1 - Oops, out of order!

How about if we go back in time for a bit and see that painting from yesterday's post at a different stage of development? Oopsie. Here's the first lay-in of colors, and shows more of my working method. I don't paint the most interesting and riveting part of the painting until I am certain that the background stands on its own merit.
So I'm always thinking about division of space, light, pattern/texture, atmosphere, repetition of shapes, dynamic line, and (of course) COLOR when I work.

The Color Boot Campers who just finished up their five days of intensive painting are on their way home now, taking some outstanding work with them. Here's one of the sillier examples of their work, which is what I used to have them warm up to brushwork and thinking about the value (lightness or darkness) of their palette. Called "silly paintings", the challenge is to not mix, but to paint with the inherent value of the pigments of the Color System. Eye-popping, to say the least! Each source image is below the painting. It's a fun exercise, one filled with much laughter.

You can see my entire blog HERE.My workshop schedule for 2010 is HERE.Color System information can be found HERE.If you need to email me directly, please click here.

Apr 30 - Georgia and Acrylics and Horses

I'm here on the East Coast for the next three weeks, teaching the workshop of Color Boot Camp returnees/repeat offenders (AKA "The Sisterhood of the Traveling Paints"). They have had almost five full days of rejuvenation, reflecting and reinforcement of the Color System, tempered with the laughter and shenanigans that only these "repeat offenders" can produce. I'm painting with them, but not in so much of demonstration mode but more to expand on topics already covered in the computer lectures and specific training for each boot camper's needs.

So I started this morning light 12 x 12 acrylic from Kentucky Horse Park source material, knowing that the deadline for the AAEA (American Academy of Equine Art) fall show is approaching.

There is so much to see and do here on the farm--over 700 acres of woods, pasture...and a new foal! This is Star and her new kidlet, and with a colorful mare and foal such as these two, you can imagine the fun it is to photograph and think about painting the different times of day with this subject!

I've already started an oil from one of my reference photos!

Georgia at this time of year is gorgeous, both in weather and in the warmth of the folks who call it home. I love coming here, and will be taking next week to teach the Florida group, then back to the farm here to introduce new "CBC recruits" to the Color System for Artists. There might be one spot left. I know the Florida group next week in Ocala has almost filled, too!

What a glorious life of an artist!!

You can see my entire blog HERE.My workshop schedule for 2010 is HERE.


Color System information can be found HERE.If you need to email me directly, please click here.

Apr 18 - The BonFire of Paintings

Did I mention that I was going to burn about one third of my body of work? Over 220 paintings went into a bonfire last week, and it was cleansing and freeing. I've been sorting through the work I have created over the last three decades, and decided it was time to cull the ones I wouldn't want around to be examples of my legacy.

Was it hard to do? Yes, and yet no. Seeing and evaluating each work on an individual basis was like going back in time... remembering the places I've been, the events surrounding each of the paintings. In that regard, it was hard. But for the quality of the work, it was easy. After all, who is going to know or care what I felt or thought while I painted that garbage piece? Most collectors only want the best works, and they want to know the back story on those paintings alone. The angst I felt when I struggled through (and never completed) poorly designed and poorly executed paintings is of no importance to anyone except me, and YOU. You? Yes, because everyone wants to know that even the good artists have cr*ppy paintings.

The image above is a 12 x 16 reworked from that pile of bonfire paintings. I demonstrated how to fix a lousy painting during the Fallbrook workshop yesterday, by painting over it using the Color System to change it from almost evening light to DEFINITELY evening light. This is now a survivor of the bonfire. Here is what it looked like before I pulled it from the flames....

I'm sending my stuff to Georgia tomorrow and am flying myself and Sparky there next Saturday. Tons to do before that, and I'm SO looking forward to Georgia and Florida in Spring!!!

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

Apr 9 - Painting Finished and More Sheep

Did you notice the similarity of colors and temperature between the photo of the sheep yesterday and the painting at that point? The painting in its cool box family colors MATCHES the overcast day of the sheep photograph with uncanny accuracy--pointing out yet again the validity of the Color System! I find myself in awe of it, and how well and easily it works for these overcast days. (As well as other distinct times of day!)

But now the painting has come to a completed state (for a plein air piece, which of necessity cannot have too much busy details). The figure is painted, with the cadmium red in the sunlight and the alizarin (cool red) in the shadow of the hat and shirt. The sunlit areas of the roadbed are in, and show stark contrast to the cool shadows of the earlier state of the road. Yes, there is some thalo blue in that sunlit mix!
I enjoyed painting the "blips" of light between the cement staunchions of the bridge on this near side, earmarking and defining those shapes.

The sunlight (warm family) areas of this painting are primarily hovering around the figure--found in the tree on the left, the spotty sunshine on the bridge, and the sun-kissed area of the figure. "Easy-peasey" as a friend of mine would say!

I'm moving forward on the trip back east, making arrangements for critter care and airport delivery, packing a box or two of supplies for the trip, and getting excited about teaching THREE FULL WEEKS of COLOR BOOT CAMPs! Yippee!!

Here's yet another picture of the sheep doing their work. Three of the ewes shyly come up to me for treats now, and I can lead them in new directions with a little grain in a bucket. I have bells on two of them, and I can hear them as they herd moves around the property. Not hardly as headstrong as Vincent van Goat and Heather-Not-The-Momma goat... sheep are fun!!

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

Apr 8 - Tax Time and More Painting

Continuing to cover the canvas, I've pulled in the lighter greens of the distant grasses and the shadows on the roadbed of the bridge. This is a crucial point in the painting, because up to this point, I have COMPLETELY stayed in the cool box color family. The harmony of the painting is palpable, and I am happy with it at this point.

I'm going to move to the warm family of colors to finish this painting--having the sunlight come onto the figure that will appear on the bridge (I've already finished this painting, and the blog posting is going to automatically come out tomorrow.). These details and "punch" are withheld until I know the rest of the painting will stand on its strength of design and harmony. In my work, this is the essence of how I create my finished work. I realize many artists paint the "most important" stuff first... I like to make sure the supporting players "play well together" before adding the icing on the painting's cake.

In other news, I have a new flock of sheep doing the weeding around Two Trees these days. I own three, and four are "guests" while the weed abatement proceeds. They are fun to watch; it is as though wildlife goes by the windows as they move in unison across the hillside out the back door. This morning I watched a coyote barking just outside the fence--not a threat, since Seiko (the "watch" dog) is on duty, guarding her charges. Here's an image of the "gang" by the back patio. Oh boy! More ideas for paintings!
I am also working on a MAJOR project in conjunction with and ongoing to the newest Misty Light DVD (which will be out before the end of this month!). Stay tuned for big news in June!

Thanks, as ever, for reading this far, and for forwarding this on to your artist friends.
You can see my entire blog HERE.
My workshop schedule for 2010 is HERE--still some spaces in Florida and Maine!
Color System information can be found HERE.
If you need to email me directly, please click here.

Mar 24 - Jury Duty and the Next Stage

Covering the canvas as I always do, this 12 x 9 painting progresses into the misty light of the overcast day quite easily. I stay completely in the Cool Box, using trios of colors to keep the mixes harmonious. Most of the distant areas behind the bridge are done with mixes that have white in them. White, being the coldest color on our palettes, is used in distance to give the ethereal feeling of misty light. White is also used, to a lesser degree, in the nearby areas. My contrast of values decreases as distance increases, and in misty light, the values get closer together more quickly!

Where does the time go? I've been doing much Spring cleaning of my studio, offing old work and work that doesn't represent my legacy, and "relocating" books from my art library to new owners through Amazon.com. I'm also just enjoying this gorgeous spring weather here in California with gardens needing planting.

The workshop in Florida has been moved right into Ocala, so if you are in that area and want to attend this Color Boot Camp, please contact Kathie Camara ASAP (Link takes you to an email message)! The new location puts us in an urban area, and boot campers can come in daily instead of staying at the Carriage Park. It makes the workshop more affordable, as well.

Georgia is almost full, and it is going to be FANTASTIC as well!

I'm sitting in jury duty today....at least they have wifi!

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

Mar 12 - Still Near the Bridge, Plein Air Demo in Oils

With the basic structure in place with the brush sketch, I begin the laying in of the large darks and mid-tones using the Cool colors palette. If you'll look at the bridge from yesterday's view, you see the cement railings. See how I've laid them in while thinking, "large shapes" instead of "Omigosh! Look at all those vertical cement thingies!"?

So those nearby cement thingies are painted as shapes. However, as they recede in space, the shape blends together for one big brush mark. If you look at the right side of the bridge, you can see where I've already started to allude to those "thingies" in the large gray shape. Hey, makes it simple (and fast)!

As I paint the arches, with the darks and mid-tones, I'm still finding the correct arch shape. It looks pretty daft right now, but will improve. I'd rather find an edge later, than be restricted by a line demarking an edge early on.

Again, completely out of the Cool Box in the Color System, including that yellow green in the upper right. Cool yellow and some ultramarine make that mix, with perhaps some white.

Tomorrow more!

I'm off to Cypress Art League on Sunday for a demonstration in oils, and I'm working on a couple of commission paintings (one a book cover) so the brushes are flying! If you're in the Los Angeles area, Cypress is south of the 91 freeway at Orange Street and Valley View--their community center, two p.m. I'll have my Flash Cards, DVDs and one of my originals to offer as a raffle prize. Perhaps I'll meet you in person!

Sure wish I could find the polo ponies painting--still looking for it. Darn it all.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

Mar 10 - One from the Plein Air Event, Lesson in Oil!

On location with the Plein Air Artists of Riverside, and on Thursday I found myself in front of one of the many bridges that were the focus of this week-long paint out.

Now I don't necessarily "do" bridges or other architectural renderings--I leave it for the designers to create beautiful structures, and I'll just enjoy 'em, not paint 'em. But this event had us with a focus on local bridges, and who am I to complain? It's just "stuff"....

So I start out with a toned canvas (12 x 9) and set up just as you see, with the bridge to my left. This way I'm not twisted as I paint, with my arm on the canvas and my head torqued around over that arm. Learned that in life drawing years ago--don't let your painting arm block your view. Lot of artists don't know that!

I've loosely blocked in the structure and design, knowing that I'm adding a figure later on in the upper left third (smudgy mark). I had a heck of a time with those receding arches. Talk about tough to "get", but I leave some room for correction later. The day was overcast, and that's a bummer, but as an artist, I can do a bit of artistic license and add a spot of sunshine if I wish. (And I do wish.) So for the first several images as this one develops, I'm going to stay completely in the cool box!

My workshops in Georgia and Florida are generating a great deal of interest--the excitement about the new recruits and the re-booters for the Color System is felt all the way over here in California! My flights are booked, Sparky has his space, and I'll be doing the teaching for three weeks in April and May! If you've ever wanted the Color Boot Camp experience, please click below for workshop information for your area! Either Kathie or Judi will be happy to add you to the fun groups forming. I especially love it when "rebooters" come back for more "Yellin' by Elin".

On another note, I want to thank all of you who wrote in response to yesterday's posting on Qso's passing. So many of you have the hearts of animal lovers. It brought me great comfort. Although there's a hole in my heart, I know that not too much time will pass before another snuggly fur-face will come to fill it. Sparky might need a playmate!

My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

Mar 9 - Sadness and Acceptance

Many of you have noticed the sporadic emails in the last few weeks, and for that I sincerely apologize. I'd hoped to share with you the finished polo ponies, but in utter amazement, I cannot FIND the painting! In the chaos of doing a major studio cleanout, I put it "somewhere safe". Have you ever done that?

But today I am very sad for having to put down my companion of eighteen years--Qso, the German Pinscher--shown here with Pesto the studio cat.

Pets connect us to our past, living lives of scant more than a decade, and linking us to events and people from earlier times. As they age, we see our own lives (compressed) of youth, prime and then, if we are lucky, and if the animal is as well, we carry them through their old age, giving them the gift of care and a final exit with dignity and sadness.

So today's message is one of communication to all animal lovers out there, those of us who have lost a beloved pet, and to all who share with me the sharp pain of the memory of their last days.

Animals have a prescience and acceptance of death that we humans can only envy. She told me it was time, and her passing was peaceful. I have always said that if we lose a pet, we have a hole in our heart waiting to be filled by an eager newcomer, whose future may be uncertain if we stay within our pain of loss. I am not sure when that achy place will be filled, but fill it will.

So, beloved Qso, I sent you to the Rainbow Bridge today as my last gift to you, and buried you just outside the studio door where you'll always be in my thoughts, and nearby. Safe journey, my companion. My heart is heavy tonight.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

Mar 3 - More Details on the Polo Ponies OIl, 16 x 20

The "Color Punch" begins to show up now! The difference between this stage and the earlier one may be minor in square inches, but it is major in pulling the color design toward the finished state. These few brush marks on the backs of the horses bring out the message of light and value difference (also color temperature difference) that need to happen to make this painting work. There is still much more to do, however seeing these few brush marks may help to show how the Color System works. There is no lighter value than the sunlight on the gray horse. There is no stronger edge (or will be) than the topline near that horse's tail.

If there is a strong edge elsewhere, it will be compromised by little value change, no temperature change, or act as a subordinate "supporting" edge in the design, and not be as important.

I've put a smaller image of the prior stage to show you how much those marks change the dynamics of the design of the painting. Suddenly there is "punch" whereas before it was just a nicely coming along painting.

When we as artists want to control where the viewer's eye goes, our tools are straight from the design box. Here I'm using value change, edge hardness and temperature difference to force your eye to go to that horse, even thought the rest of the painting may be visually interesting. While I continue to paint from this important step, I will be ever mindful that the gray's back as my focal point. No edge or contrast will be as strong as that area. Now on to finish this beastie!

There are still spaces in the Florida five-day workshop in May (first week--GORGEOUS time to be in Florida!). Please contact Kathie Camara if you'd like a spot in the Color Boot Camp, where you'll paint along with me for five fun and full days of learning in Central Florida!

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

Feb 14 - Starting to find edges, Oil of Polo Ponies

In looking at the difference between this and my last posting, the changes may not be that large. I am working on the horse trailer and the grasses, bring them subtly up in details which will support the details yet to come on the horses. I know that these small endeavors are necessary so that when I work on the horses, they will end up surpassing the details I put in now.

On other news, the weather is giving me a taste of Spring to come, with a lovely 84-degree day today. Here's a photo of me taken this morning on a hike with a group of friends. Behind me is the mountain of Box Springs, and my home is directly behind me at the base of it. Beautiful way to spend some free time! I know there may be more rains to come, but a day like this puts me on top of the world. Tomorrow more on the painting... yes, details!

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

Feb 12 - Still working on the Polo Ponies Oil

It is really coming together now with the start and the addition of the warm box palette in those grassy sunlit areas! The Color System works so well, because it was just an easy switch of the boxes to get to this point, and you can see how the dynamics of adding the warms makes the painting read right.

The colors in the grasses are not pure by any means, but are from the warm box, with the dominant pigments being sap green, cad yellow and cad orange. Can you feel the heat there? It contrasts so beautifully with the blue-green shadows laid in yesterday. Again, no edges worrying me at this point, just the big shapes.

A good weekend ahead, with fun, painting and laughter. I hope yours will be as much fun.

Many of you asked for mor info about my aikido training, so I thought I'd send along a photograph taken in front of the shomen (front of the mat area) at the place where I train. Yes, that's me, ready to take on all attacks. I'll be continuing with my training for as long as I can, and that will be many more years. It gives me connection in so many ways, including to you.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

Feb 11 - Demonstration in OIls for Hemet Valley Art Association Continues

Here's the 16 x 20 oil demonstration for the Hemet Valley Art Association after about 10 minutes with the brush on the canvas. I'm completely in the Cool Box of the Color System for these lower values, all representing shadows in the composition. I like to start with darks, painting UP to the light as I work.

Most interesting at this stage is the "warm" reflected light on the belly of the third horse--a gray. That's a "peach" color made by white, alizarin and yellow ocrhe. Great illusion of warm where it is needed. I do admit that the luscious blue-green of the Thalo green and white mix in those shadows gives me shivers of excitement, though! More tomorrow, and I hope you're enjoying the development of this one as much as I am.

I am not interested in edges or tight control, but more in the masses of value. Like good construction, one ensures that the walls are sturdy before putting in the windows!

Yesterday's email went out with a video on my martial art in it, and if you were not able to see it, I have it on my blog for yesterday. Worth a look! And I'm looking forward to teaching the Color System workshop this coming weekend, too!

Yes, life is good. Now where did I put my pina colada? Hmmm.... (grin).

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

Feb 10 - Demoonstration Painting, the Beginning....HVAA

Today I had the pleasure of going back to Hemet and meeting 80 people who had come out to see my demonstration in oils. It was a wonderful afternoon, and everyone seemed to have a good time watching me paint and chatter along about how I do these images. I didn't quite finish the painting, but did photograph it in stages as I painted it. So here's the first step. This is a 16 x 20 canvas panel, and comes from source material I took while at the Kentucky Horse Park several years ago. This is the initial drawing of the polo ponies tied and resting beside their trailer, and shows the essential design. The canvas has been toned with a warm "peachy" middle value, and I draw the essential shadow shapes as well, so that the whole design is cohesive and shows the structure. The drawing is done with a brush filled with burnt umber thinned to an ink-like consistency.

The demonstration went well, and I have the wet canvas behind me, and will finish it tomorrow in the quiet of my studio.

Many of you have asked how it is that I do all that I do (in my 60s) and how I can be so positive and caring as I face recent challenges. I offer to you one of the major reasons I am able to live with joy and physical fitness (Believe me when I say I was pudged out and lost 27 pounds doing this!). The more I learn, the more it trains me to handle whatever life throws at me. I'm ending my third year of training now.



Although a true martial art (deadly and effective), it is based upon a philosophy of blending and taking the energy of what comes at you, without "winning" or resisting the attack. Powerful stuff, both on the mat and in my mind.

And now I'm sending this to you before I leave to spend a few days with a close friend in a gorgeously beautiful place, rejuvenating, relaxing and reassessing. Life is very, very good.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

Feb 7 - Another Acrylic Finished...Goats!

Called "Exploring", this 12 x 16 acrylic was started last year at a demonstration and talk for the Hemet Valley Art Association. I finished it up today, and will be taking the original to the demonstration next Wednesday. I just love working with the thin veils of color, developing interesting passages within larger values and hues. It takes time, but I have time right now. I especailly love the blues on the shadowed sides of the black and white kids.

Bringing a painting to a finished state is a sort of dance with what's going on in front of me coupled with the knowledge in my head. Choices are made for color, brush marks and areas to develop based upon that partnership. Oh, and listening to a good audio book doesn't hurt!

I did make time today to go with a great bunch of folks hiking on Sunday morning, and we all went out for brunch afterward. In the image below, I'm the one midway down the table next to the fellow in the black cap. Keeping excess pounds off is part of the strength I am finding, and I take great pleasure in being able to do many things at this point in my life. Being in good condition is a gift one gives oneself--no one else can do that for you!

Thanks to those of you who wrote yesterday, I know...however it is good to know there are others with this section on the road of experience behind them! Going out with folks helps, you betcha.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

Feb 6 - Finished the Acrylic "Dog Walkers"

Compare this image with my last posting, and you'll se some VERY important changes, but those changes might not even be noticeable at first glance. That's the beauty of the artist's eye--the subtleties that we are aware of because of our training, years of comparing and contrasting what we want versus what is already on that flat surface. The changes just HAD to be done. I still think this one should have gotten into the Art Show at the Dog Show, but when they are "show" people, perhaps they ahve a different outlook on dogs in general My paintings of the shelter cast offs didn't receive merit there, however YOUR response to that series made my day. So art shows are one good venue for exposure, but ought not be the end-all-be-all for measuring one's artistic competence.

I'm going to share with you the source material for the second painting (the acrylic) that's in the new DVD coming out "Misty Light and Overcast Days" in the Colorful Painting Series. Since this one has acrylic paint on it, too, I have had to drop the "Oil" out of the title! It is a composite (roughly assembled in Photoshop) of a 100% wolf that belongs to an acquaintance. Three images of the same wolf makes for an interesting composition, and you can bet I'll be adding to and changing it for good "painterly" execution. It's going to be on a 16 x 20 linen canvas.

On other fronts, I've shared with you news of moving, my horses and dogs, and many aspects of my life. So perhaps you would like to know the most recent. Tonight (Saturday evening) I'm home solo yet again, which will be an ever-increasing condition due to my spouse's declaration of having been and needing to love more than one female. While I have been adjusting to these "discoveries", I realize I am living in a "murky, complex, bizarre chaos" of an artistic life. There is nothing ordinary about the full life of an artist, and I am coming to realize that many choices I have made will never be "ordinary". Fraught with the magnitude of this side-swipe to my daily existence, I have positioned myself as an observer/bystander as these events unfold while I weigh my options.

Yes, that's why I was erratic in posting for the last couple months. Even the death of my mother (April 7-8, 2006, blog) didn't interrupt my painting. This did. Please withhold your comments as my strength comes from standing on a three-point solid base of focus, commitment and optimism. If I think I can lean on folks, I become unbalanced and off that base of strength. Not good, at least not right now. Know that I'm doing well, and continue to cope as things progress.

I am looking forward with great optimism to the workshop next weekend, the painting demonstration for Hemet next Wednesday, and the upcoming workshops in Georgia and Florida this April/May. And my heart swells with real affection I have for people (like you) who have been there for me for these almost FIVE YEARS!!! My goodness, time flies.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

Jan 29 - Signed but not finished

I signed it, but it isn't finished yet. However it really has that "feel" I was seeking when I picked up the brushes. Do you see the strong triangular design, with the black lab on the left anchoring that corner? An overlay of this image would show the many diagonals that work to repeat and support the structure of this work.

I really like it at this point, but it truly is not finished. I had pressure on me to use this image for entering the Art Show at the Dog Show, and it was summarily rejected. I entered it more because of what I KNOW it will become, rather than as a finished piece. But judges are arbitrary, subjective and totally in control of the shape of an art show, so I don't take that rejection personally. Sometimes that's just where the chips fall.

Below is the image with tension-creating diagonals for you. To me, this angled tension with so many lines sets the stage for excitement in this dog walker composition. Horizontal and verticals are static, lines that lean are tension-filled and exciting. Note the two vertical signposts in the upper left corner, effectively stopping the convergence of the snow lines off the edge of the canvas. "That's design, baaaybe!"

After I finish up both this one and the backlit Lab (which DID get accepted to the show), I'll share with you the second painting for the upcoming DVD on misty and overcast lighting--in stages, of course!

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE. (Still some slots!!!)
Color System information can be found HERE.
If you need to email me directly, please click here.

Jan 25 - The "Dog Walker" Acrylic Continues

Working in acrylics gives the user a lot of latitude in application techniques, and I've used a few at this stage. Although still covering the canvas, I'm layering the snow piles behind the walker with heavier applications of pigment, giving some texture to the end result. In the gray pavement, I'm using more transparent layers, allowing the subtle values to work in harmony. I have also begun to put in more and more details on the major "heartbeats" in the painting, but still only roughly.

You see, for me, getting the "gist" of the movement and "feel" of the action taking place is more about the generalized lines of the design at this point. I am not interested AT ALL in the details, although some do manifest at this time, such as the light and shadow, blue and white on the girl's jacket. Always mindful of the focal point, her coloration on the jacket and the subtle repetition of the blues in the blue-violet of the sidewalk unify the painting, even at this early stage! That's counterpointed by the yellows in the distant taxis and in the retriever.

Yesterday (Sunday), I went on a hike with a group of fun people, and we ended up at the top of a local mountain in Riverside, Mt. Roubidoux. As you can see, the weather has cleared up from the storm, and most of us ended up in tee shirts, even though there is snow in the distance. Fun!

I hope wherever you are, that you're dry, warm and enjoying your time with friends and activities.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

Jan 22 - "The Dog Walker" Lesson Continues

I'm doing what I always do--cover the canvas with the abstract structure by massing in the largest shapes and values. And of course, completely out of the "Cool Box" from the Color System. Not much concern with anatomy at this phase, nor with faces or calligraphic lines. I've found that the big masses draw in the viewer, and then they'll spend a pleasurable amount of time wandering through the variances and nuances of the lines and subtle value and hue changes, once entranced by the big structure. That's no mystery--the great illustrators of the last century made a point of doing this, too. Look into the work of Howard Pyle--and his students N. C. Wyeth, Maxfield Parrish, Violet Oakley, and Elisabeth Shippen Green, among others--to see how powerful the establishment of the big masses is to the overall impact of a painting.

Now that I've sent you on a joy-urney into American Illusatration, I'll just add that my demonstration in Hemet is scheduled for February 10 at 1:30 at the Simpson Center. And the workshops in Georgia are almost full--both weeks! There are still spaces in Florida (pdf file download, application info) at the Carriage Museum grounds (first week in May), and Mt. Desert Island in Maine at the end of August (plein air and Color System week!).

And the weather here has finally turned to rain and wet, yet the mountains are green as an Irish morning. The wildflower show at Two Trees will be spectacular in mid April! Here's a photo of Two Trees taken in June, mostly after the wildflowers, but still showing some of the green of winter rains. It is an idyllic place for an arteest...

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

Jan 21 - Starting an Acrylic entered into Art Show at the Dog Show

Even while working on the oil of the backlit Labrador, I also had the easel occupied with this acrylic, destined for jurying for the Art Show at the Dog Show. It is a 12 x 16 board, and the source material was a dog walker spotted outside of the Metropolitan Museum of Art.

You can see my source material printed and set to the left of the canvas. The lighting is overcast, so of course the first layin and the majority of colors will come from the "Cool Box" (Color System).

I was utterly fascinated by the seemingly indifference of the dog walker and the rambunctious Lab pup on the left side just SO wanting to get away and "do something". The white standard poodles, the Golden Retriever, the Catahoula Leopard Dog--yes, there is one in there--and the Newfoundland. My goodness, which category can it be submitted for jurying?

Ah well, I hope you'll enjoy how it unfolds. I'll finish up the oil this week as well and post the finished canvas for you.

Still a few spots in the Color Boot Camp in February--and a demo coming up for the Hemet Valley Art Association, too!

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

Jan 19 - Working through the "Uglies"

MANY changes from the last posting of this "turkey", and now I no longer call it that... HA! Taking a long, hard look at what came back home with me from the demonstration, I could see easily that I'd lost both the value relationships and the color punch of backlit evening light. So I put myself to and spent a good amount of time working on those aspects of this oil.

It is now to a stage where I'm comfortable signing it, however, I still need to work on the dog's head. It doesn't read "Labrador" to me yet.

What I really do like about this piece is the colorful water int he foreground and the spash. Everything but red is in there and it is so joyful, like the dog, who is painted in muted hues of those same yellows and purples.

So don't give up on the ones that are giving you problems. They can be pulled through to become good paintings. Asking for some advice can provide an independent source of input as well. AS long as the core structure is in place, and the values are moving forward, most paintings can be brought to a finished state without too much work. I hope you enjoyed this one. I'll publish on my other web sites it when I finish the head details.

You can see my entire blog HERE.
My workshop schedule for 2010 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.