On the next pass for this 30 x 40 inch oil, I've placed the midtone greens on the tatami mats and the deeper shadows behind the row of figures. I'm working out just how many people will be behind the two figures, and as I figure it out, more and more of the burnt umber/ultramarine blue shadows are cut in, leaving the seated figures in place.
As I mentioned yesterday, the fun in this work is that the people behind O Sensei will be my friends--Ace Atkinson, Steve Barbosa, Ron, Katz, me and of course Rowdy, who passed away this last year. She'll be on the far right, sitting slightly out of line with the rest of us, signifying her not being "with" us, except in spirit. The fellow receiving the art is none other than Alberto, who is still working on his master's in Spanish Literature and doing aikido, even teaching their kid's classes. Alberto just passed a major test on his way to his black belt last weekend.
On Alberto's hakama (the traditional black leggings/skirt aikidoists wear), I've depicted the speed and motion by lost edges. This gives life to the image, and creates a passing moment in time. Losing edges helps to create the feeling that this is an unfolding moment of action, rather than a static, freeze-frame moment.
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