This little 5 x 7 oil was started in the February Riverside workshop on the third day, demonstrating how skies can come together with the "magic three" plus white--how all skies can easily be done with this limited triad plus an occasional oddball color. In this case I added the cool yellow in various places.
I was specifically addressing the values in the sky during the lecture that accompanied the demonstration--emphasizing that the shadows on clouds are always lighter than any shadow on the ground, which makes for a believable "up there" in one's composition. Yes, there can be dramatic skies, but keeping those dark shadow clouds a skosh lighter than the shadows on the ground makes it readable for the viewer. And it always has to READ RIGHT.
Here's the version as the attendees at the workshop saw it--I didn't finish it until later on, and it is now on display, framed up at the Norco Western Art Show, which opens tomorrow with the Sponsors/Buyers Reception and Dinner.
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