
One painting a day since October 12, 2005, lessons and Elin's Color System. The writings behind the creation of each daily painting by this well-known oil and acrylic painter with three books out by Walter Foster Publishing and instructional DVDs on painting and color. Studio pieces and smaller works for collectors and friends, too.
Showing posts with label whippet dog. Show all posts
Showing posts with label whippet dog. Show all posts
Saturday, February 17, 2007
February 17 - Whippet Painting Finished!

Friday, February 16, 2007
February 16 - Continuing the Whippet Painting

This part of the painting process is to cover the canvas and start to develop the lights of those value areas defined yesterday. Now the colors start to dance against one another and the fluid motion of the dog is starting to take shape, along with her three-dimensionality. I am thoroughly enjoying painting this piece--purely for my own development and also for the statement of the gracea nd beauty of whippets. Eagle eyed members of the list have pointed out the front shoulder area as being "not quite right" and I'm going to make some more changes to that structure to clarify the lift and reach of the forelegs. No splashing water yet, that is to come tomorrow! The colors of the background are also flowing through red, orange, yellow and over to blue and violet. I do hope you can see that I've held to the value plan throughout! Again, this ia a 12 x 36 inch canvas, and an oil.
Wednesday, February 14, 2007
February 14 - Starting the Canvas, Whippet Painting

Here is the canvas--yes, a 12 by 36 inch format--long and wide, with the first sketch laid in and a rough start on the color of he dog in shadow. I lifted off the mid-tone layer behind the dog's head, because I am wanting to have tha area be where the sunlight glints off of he water. You can see the sketch of the splash of what the dog pursues laid in on the far left.
This long, horizontal format seems to make the dog move more swiftly. If you are conveying speed or vertical rise, one effect to enhance that feel is to choose a canvas shape that seems to duplicate that. As this progresses, I'll talk about how each brush stroke works to push the dog forward and move your eye across, not up and down, the composition.
And getting an email such as the lines below is the reason why I take the time to write back to each one of you:
...the memories you have stirred. Our neighbour bred and raced Whippets all through my chidhood. Ive not seen or heard of Whippetts since I moved North. Ginny was our fav and I so loved watching her race.
You give me the gift of seeing fragments of your lives, and knowing that what I'm doing means something for you... it gives me such great satisfaction to live a life where the gifts are always moving. A long time ago I read Lewis' thesis on the Erotic Life of Property, and, contrary to its racy title, is a rather dry read of the study of gift within the cultures the islands of the South Pacific. In a nutshell, it is paying it forward without expecting something in return. It has molded my life, and given back countless unexpected gifts.
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