Showing posts with label Del Mar Race Track. Show all posts
Showing posts with label Del Mar Race Track. Show all posts

Saturday, February 03, 2007

February 3 - Finished Lesson Painting, "A Bit of a Worry"


"A Bit of a Worry" is now finished. As you can see from yesterday's progress, my time today was spent in adding more details to the areas where I want your eye to linger, and finishing up the loose painterly aspects of the balance of the surface. By this time, the decisions are far more important than those of the first few passes, and how much detail to pull out is crucial. The lessons of learning what to detail up, and what to leave loosely tendered can consume an entire life! I tend to leave a lot of quasi-unfinished areas, that still support he design without taking your eye away form the story. If you squint your eyes at this finished piece and then go back to look at the black and white structure I sent, you'll discover I strayed hardly at all from that design.
Now we have a painting of the backstretch of Del Mar, and one of the daily routines that go on behind the races. Original oil, 12 x 12 inches, US $500

Friday, February 02, 2007

February 2 - Continuing with the Painting Lesson of Horses


Today's work on this 12 x 12 oil got tabled for a while since I was packaging and sending off paintings, DVDs and books.  Took me most of the morning to get them all ready for shipment. I'm glad of that, because sometimes we artists need time to cogitate about the work we do, while not in front of the easel with it looking back at us. I came back to the easel refreshed and ready to make some interesting changes to the design and focus. 
I'd like you to look at the major changes in the shapes of the two flanking figures. (They still don't have brains, yet!)  I cut into them and added outward with the literal "washing up" of the background areas to the positive shapes of the action. The central hoof checker now has a tee shirt, but I need to get some britches on him! No hats yet, as those color notes are pure accents, and ought not to be added until the painting is cohesive without them. No sense in sewing up a hole in rotten jeans with new thread!
 I did go over the background again, bringing in some of the more muted cool colors to break up the blocky shapes of the barn siding and doors.