May 9 - Thank you and Goodbyes

Here's the demonstration painting for morning light done as part of the lecture for the Georgia workshop this week. It's a 12 x 16 and done with acrylics (traditional) on a board-backed canvas and is one of the views across the woods and hayfields of Georgia. I really like the light patterns that fall on the jump on the right of the scene. I've walked this path on Fay's farm many times and never tire of it.

The students ("Recruits") in the Color Boot Camps are producing outstanding work--all because of the Color System applied to their curret style and subject matter. I'm honored to be teaching such a great group, and will be heading optimistically to Florida tomorrow to meet up with yet another great group of folks with a desire to know the Color System.

Here I am doing the demonstration for noon light--on a 16 x 20 canvas in Golden Open acrylics, pill boxes at the ready! Fun demo, and I'll post the finished painting later this week.

I want to thank all of you--especially those to whom I've not had time to personally reply--who wrote about Shadow. It is tough to lose a pet, and those who wrote such kind emails cement for me the connection I feel to all of you, and for that I thank you sincerely. I have a busy life, yet there are those bittersweet moments of memory that still bring an ache to my heart.

Now I'm off to Florida tomorrow morning, and will be seeing new faces, new Color Boot Camp Recruits, with Sparky is by my side! I hope I'll have a good Internet connection while I'm there!

You can see my entire blog HERE.
My workshop schedule for 2009 is HERE.
Color System information can be found HERE.
If you need to email me directly, please click here.

March 13 - The first pass on the 12 x 16 Wrangler

I prepped the canvas to get rid of the glaring white (which always messes the values and intensity of the hues I'm mixing) and then quickly delineated the outermost edges of the figure and the two horses. Now you can clearly see how I re-designed the structure, moving the heartbeats up and to the left, giving them all room in which to move. I added in the concept of the diagonal shadows in the foreground, cementing completely the diagonal "X" composition, without even putting in any details. The "X" is formed by the implied direction of the figures counter-pointed by the opposing lines created by the shadow shapes. It is true that the abstract structure of the painting needs to be strong enough to see at the simplest early stages, else the painting might end up weak and unexciting. Even without the lights that will come later, the design is pleasing to the eye. All of the colors are intermixes of at least two hues, establishing the grays against which the more pure colors of the blue jeans and sunlit areas will play. What fun!

Complete blog here.

December 11 - Snow Country, 12 x 24 Oil

"Snow Country" Today's painting is a major change for an earlier daily painting. You can see the earlier version of this 10 x 20 inch oil on the dailypaintings.com web site, under the date of June 30 of this year. When I first painted it, the temperature outside was 90 degrees! Tonight I bring it to a different finished state, and change it tremendously--from summer to winter! Why do artists go after work they've done and change it so drastically? One reason is growth of the artist's knowledge. We learn something new, and we want to practice the new knowledge because we see what we didn't know manifest in our earlier work. Another reason is a deep dissatisfaction with the work as it stood before, and a great desire to take on the challenge to see if it is possible to produce an evolution of sorts. And then there's just my reason--having run out of small canvases, I'm painting over bigger ones! (The order is in, they'll be here any day now.)

It is fun to change the colors so drastically, and enjoy the finished result. Oh, I could work more on it if I was of a mind to, but for now, this one still remains in a new finished state! $375